<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-587781114393252550</id><updated>2011-08-14T21:57:35.623-07:00</updated><title type='text'>RBG Blakademics Core Classrooms</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://rbgblakademics.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/587781114393252550/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://rbgblakademics.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Marc Imhotep Cray, M.D. / bna RBG Street Scholar</name><uri>http://www.blogger.com/profile/15561580557575448698</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://1.bp.blogspot.com/_ZtpvTc16rYg/S2L-4mNiFZI/AAAAAAAAIQM/dVBAv3NPF88/S220/doc20001.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>4</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-587781114393252550.post-6623756094502103887</id><published>2010-05-11T16:11:00.000-07:00</published><updated>2011-08-12T08:47:34.584-07:00</updated><title type='text'>RBG FROLINAN Mouse Over Images -Video Intros, f. MAAFA 21</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.scribd.com/dr_imhotep"&gt;&lt;img border="0" height="193" src="http://3.bp.blogspot.com/-GL3PskOzOBI/TkVFqUMY5-I/AAAAAAAAJrQ/IE3PPqpx0ig/s400/RBG+Blakademics+Logos+%25283%2529.PNG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;  &lt;/div&gt;&lt;div style="direction: ltr; line-height: normal; margin: 0pt 0in; text-align: center; text-indent: 0in; unicode-bidi: embed; vertical-align: baseline;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black; font-family: Arial; font-style: normal; font-variant: normal; text-transform: none; vertical-align: baseline;"&gt;&lt;a href="http://www.scribd.com/collections/2333990/RBG-BLAKADEMICS-MAIN-LIBRARY"&gt;RBG BLAKADEMICS MAIN LIBRARY&lt;/a&gt;&lt;/span&gt;&lt;span style="color: black; font-family: Arial; font-style: normal; font-variant: normal; text-transform: none; vertical-align: baseline;"&gt; SCOs (Shareable Content Objects&lt;/span&gt;&lt;span style="color: black; font-family: Arial; font-style: normal; font-variant: normal; font-weight: bold; text-transform: none; vertical-align: baseline;"&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;  &lt;/span&gt;&lt;div style="direction: ltr; line-height: normal; margin: 0pt 0in; text-align: justify; text-indent: 0in; unicode-bidi: embed; vertical-align: baseline;"&gt;&lt;span style="color: white; font-size: small;"&gt;&lt;span style="font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; text-transform: none; vertical-align: baseline;"&gt;RBG Blakademics is the premiere academic arm of RBG Communiversity, a Web 2.0 in Afrikan-centered Education Demonstration. This Educational Program and Research Project is Dedicated to Further Building the Hip Hop--Black Liberation Movement Connection by Combining Conscious Digital Edutainment with A Scholarly Self Directed Learning Environment. Designed, developed and curated by Marc Imhotep Cray, M.D. / &lt;/span&gt;&lt;span style="font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; text-transform: none; vertical-align: baseline;"&gt;bna&lt;/span&gt;&lt;span style="font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; text-transform: none; vertical-align: baseline;"&gt; RBG Street Scholar&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: black; font-family: Arial;"&gt;&lt;a href="http://www.scribd.com/dr_imhotep"&gt; http://www.scribd.com/dr_imhotep&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;  &lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.scribd.com/my_document_collections/3102046" target="_blank"&gt;&lt;img alt="" height="171" src="http://api.ning.com/files/7hCOZpigGPwaKU2mv35DzjzMI1QqD9Swmd7mGgHpVLzMKpAtUvJqLac*b4lxqE5Vvm9xwKmV95KfUdgeP6giRgcNbdBfvafc/FROLINANBANNER.png?width=721" width="400" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt; 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width: 425px;" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="width: 725px;"&gt;&lt;embed allowscriptaccess="never" height="236" name="rockyou" pluginspage="http://www.macromedia.com/go/getflashplayer" quality="high" scale="noscale" src="http://apps.rockyou.com/rockyou.swf?instanceid=158310529&amp;amp;ver=102906" type="application/x-shockwave-flash" width="712" wmode="transparent"&gt;&lt;/embed&gt;  &lt;a href="http://www.rockyou.com/link/link9.php" target="_BLANK"&gt;&lt;img src="http://apps.rockyou.com/link/link9.gif" style="border: 0px none;" width="84" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: 130%;"&gt;FILM DESCRIPTION&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial; font-weight: bold; text-align: justify;"&gt;&lt;span style="font-size: 100%;"&gt;"They were stolen from their homes, locked in chains and taken across an ocean. And for more than 200 years, their blood and sweat would help to build the richest and most powerful nation the world has ever known.&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: justify;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-size: 100%; font-weight: bold;"&gt;But when slavery ended, their welcome was over. America's wealthy elite had decided it was time for them to disappear and they were not particular about how it might be done.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-size: 100%; font-weight: bold;"&gt;What you are about to see is that the plan these people set in motion 150 years ago is still being carried out today. So don't think that this is history. It is not. It is happening right here, and it's happening right now."&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;img alt="" src="http://api.ning.com/files/ytmkFwkM4Xnw9KQYCmPxf3rvNWdzWhMZkEJ2RCUA92lSfQfSNNJqTvOUto*FC35L06uGPB-M2D6P6zZFbLTdQq4OnOK44z2w/MAAFA212.jpg" style="height: 347px; width: 450px;" /&gt;&lt;/div&gt;&lt;span style="font-size: 130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #ffcc00; font-weight: bold;"&gt;&lt;object height="450" width="540"&gt;&lt;param name="movie" value="http://www.youtube.com/p/C375A105D777C8C1&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/p/C375A105D777C8C1&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="450" width="540"&gt;&lt;/embed&gt;&lt;/object&gt; &lt;a href="http://www.scribd.com/doc/24183170/MAAFA-21-Genocide-of-Blacks-in-21st-Century-America-Companion-Reader" style="display: block; font-family: Helvetica,Arial,Sans-serif; font-size-adjust: none; font-size: 14px; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; margin: 12px auto 6px; text-decoration: underline;" title="View MAAFA 21-Genocide of Blacks in 21st Century America -Companion Reader on Scribd"&gt;MAAFA 21-Genocide of Blacks in 21st Century America -Companion Reader&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size: 130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #ffcc00; font-weight: bold;"&gt;&lt;img alt="" src="http://api.ning.com/files/tyKGnjyOSuuol97PyTnChTo06Tdod2kyUSaUYAfFxxibQLgwm4Etr3129CCMwIyXPu9Xwd6UQeEJYfA1FC8WA5lKEfW3aNko/RBGMAAFA21POSTER.jpg" style="height: 318px; width: 452px;" /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #ffcc00; font-weight: bold;"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-size: small;"&gt;SOURCE OF FILM: &lt;a href="http://www.maafa21.com/"&gt;http://www.maafa21.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;  &lt;/span&gt;&lt;/div&gt;&lt;div style="left: 15px; top: 310px;"&gt;&lt;span style="color: #ffcc00; font-weight: bold;"&gt;&lt;span style="font-size: 130%;"&gt;&lt;a href="http://www.maafa21.com/#"&gt;&lt;img alt="" src="http://www.maafa21.com/images/nav/buy-dvd-button.gif?1" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #ffcc00; font-weight: bold;"&gt;&lt;a href="http://rbgblakademics.blogspot.com/p/rbg-case-for-reparations.html"&gt;&lt;img alt="" src="http://api.ning.com/files/Zonshp5S8wkywLDSywK-z8YpHSbGuFEjK5*9Nhl4aQLw6-v4mi3KkqK0haFP*x3cS4DcdPQFnwZRzHxZroyLSSAYAvm7uj6z/rbgallpowertothepeoplebla.jpg" style="height: 494px; width: 401px;" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;span style="color: #ffcc00; font-weight: bold;"&gt;&lt;br /&gt;&lt;span style="font-size: 130%;"&gt;&lt;a href="http://rbgblakademics.blogspot.com/p/rbg-case-for-reparations.html" style="font-weight: bold;"&gt;A RBG Case for Reparations&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://rbgnation.ning.com/photo/robert-f-williams-the?context=featured"&gt;&lt;img alt="" src="http://api.ning.com/files/AW*7Vqox2RrON9IM1H4q*w-DxaNDLlM3i0MuLCMicSUHaRI8FHTU02ToE0esc75r0U-SvA1PIhQYMnwsexsDYw3e1VGhIjJq/RobertFWilliamsTheOriginalRBGRevolutionaryBlackGangsta.jpg" style="height: 339px; 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MAAFA 21'/><author><name>Marc Imhotep Cray, M.D. / bna RBG Street Scholar</name><uri>http://www.blogger.com/profile/15561580557575448698</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://1.bp.blogspot.com/_ZtpvTc16rYg/S2L-4mNiFZI/AAAAAAAAIQM/dVBAv3NPF88/S220/doc20001.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-GL3PskOzOBI/TkVFqUMY5-I/AAAAAAAAJrQ/IE3PPqpx0ig/s72-c/RBG+Blakademics+Logos+%25283%2529.PNG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-587781114393252550.post-8530116793566215436</id><published>2010-05-11T14:40:00.000-07:00</published><updated>2010-06-11T16:09:38.385-07:00</updated><title type='text'>AFRICOLOGY AND RBG BLAKADEMICS: What It Izz</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div  style="text-align: center; color: rgb(255, 204, 0);font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-family:arial;"&gt;"...To be Afrocentric is to seek African agency in every situation, analysis, or critique..."&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://wysinger.homestead.com/chronology.html"&gt;&lt;img style="width: 509px; height: 341px;" alt="http://s.ngm.com/2008/02/black-pharaohs/img/black-pharaohs-hdr-615.jpg" src="http://s.ngm.com/2008/02/black-pharaohs/img/black-pharaohs-hdr-615.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.afrikanet.info/index.php?option=com_content&amp;amp;task=view&amp;amp;id=888&amp;amp;Itemid=2"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 120px; height: 170px;" src="http://bp0.blogger.com/_ZtpvTc16rYg/SI2HPoxz9kI/AAAAAAAADTI/KRx3LeFsPko/s200/asante.jpg" alt="" id="BLOGGER_PHOTO_ID_5227983445161145922" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:georgia,times new roman,times,serif;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:130%;"&gt;"Africology is the Afrocentric study of African phenomena. This is in keeping with my belief that definitions should be meaningful, establish boundaries, and have substance. If one cannot define the name of the field and give it meaning, then a field may not exist. I do not try to define Africana Studies, for example, because I do not know what it means in practical terms. I can define African Diaspora Studies but the definition frightens me because it isolates Africa from the rest of the African world. These are some knotty issues that are avoided when we say Africology. To say it is the Afrocentric study means that it is not the European study, the Arab study, the Christian study, etc., of the phenomena, but the Afrocentric study which clarifies where we are coming from in our approach to the study of the phenomena.&lt;/span&gt; &lt;span style="color: rgb(255, 204, 0);font-size:130%;" &gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:georgia,times new roman,times,serif;"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;span style="font-size:100%;"&gt;&lt;span style="color: rgb(255, 204, 0);font-size:130%;" &gt;&lt;a title="View Africology 101: An Interview with Scholar Activist Molefi Kete Asante on Scribd" href="http://www.scribd.com/doc/31437351/Africology-101-An-Interview-with-Scholar-Activist-Molefi-Kete-Asante" style="margin: 12px auto 6px; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;"&gt;Africology 101: An Interview with Scholar Activist Molefi Kete Asante&lt;/a&gt; &lt;object id="doc_242716518169653" name="doc_242716518169653" type="application/x-shockwave-flash" data="http://d1.scribdassets.com/ScribdViewer.swf" style="outline-color: -moz-use-text-color; outline-style: none; outline-width: medium;" height="600" width="540"&gt;        &lt;param name="movie" value="http://d1.scribdassets.com/ScribdViewer.swf"&gt;        &lt;param name="wmode" value="opaque"&gt;         &lt;param name="bgcolor" value="#ffffff"&gt;         &lt;param name="allowFullScreen" value="true"&gt;         &lt;param name="allowScriptAccess" value="always"&gt;         &lt;param name="FlashVars" value="document_id=31437351&amp;amp;access_key=key-zm1ag4xb7spygghdf30&amp;amp;page=1&amp;amp;viewMode=list"&gt;         &lt;embed id="doc_242716518169653" name="doc_242716518169653" src="http://d1.scribdassets.com/ScribdViewer.swf?document_id=31437351&amp;amp;access_key=key-zm1ag4xb7spygghdf30&amp;amp;page=1&amp;amp;viewMode=list" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" wmode="opaque" bgcolor="#ffffff" height="600" width="540"&gt;&lt;/embed&gt;     &lt;/object&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;span&gt;&lt;img style="width: 193px; height: 20px;" src="http://www.thetalkingdrum.com/line.gif" class="zName" border="0" /&gt;&lt;br /&gt;&lt;a title="View RBG Africology 101 Curriculum Guidebook on Scribd" href="http://www.scribd.com/doc/20059607/RBG-Africology-101-Curriculum-Guidebook" style="margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;"&gt;RBG Africology 101 Curriculum Guidebook&lt;/a&gt; &lt;object id="doc_226558380364069" name="doc_226558380364069" height="600" width="100%" type="application/x-shockwave-flash" data="http://d1.scribdassets.com/ScribdViewer.swf" style="outline:none;"&gt;        &lt;param name="movie" value="http://d1.scribdassets.com/ScribdViewer.swf"&gt;        &lt;param name="wmode" value="opaque"&gt;         &lt;param name="bgcolor" value="#ffffff"&gt;         &lt;param name="allowFullScreen" value="true"&gt;         &lt;param name="allowScriptAccess" value="always"&gt;         &lt;param name="FlashVars" value="document_id=20059607&amp;amp;access_key=key-1sn1utsv4smj75vvcj73&amp;amp;page=1&amp;amp;viewMode=list"&gt;         &lt;embed id="doc_226558380364069" name="doc_226558380364069" src="http://d1.scribdassets.com/ScribdViewer.swf?document_id=20059607&amp;amp;access_key=key-1sn1utsv4smj75vvcj73&amp;amp;page=1&amp;amp;viewMode=list" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="600" width="100%" wmode="opaque" bgcolor="#ffffff"&gt;&lt;/embed&gt;     &lt;/object&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://rbg-street-scholar-multi-media-e-zine.blogspot.com/2008/05/rbg-on-history-of-our-flag-updated.html" target="_blank"&gt;&lt;img alt="Photobucket" src="http://i170.photobucket.com/albums/u250/RBGStreetScholar/flag7-1.gif" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div  style="text-align: justify; color: rgb(204, 204, 204);font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;The &lt;span style="color: rgb(51, 204, 0);"&gt;"re-Afrikanization Revolution"&lt;/span&gt; at RBG Street Scholars Think Tank revolves around &lt;span style="color: rgb(255, 0, 0);"&gt;Healing and Revolution&lt;/span&gt; of the individual and collective mind, body and spirit of New Afrikan people through educational discourse, activities and socialization rooted in our history and world experience as Afrikan people.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;p style="text-align: justify; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style=";font-family:arial;font-size:130%;" class="text"  &gt;&lt;a href="http://www.amazon.com/Healers-African-Writers-Kwei-Armah/dp/043590194X"&gt;&lt;span class="text"&gt;&lt;span class="text"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp2.blogger.com/_ZtpvTc16rYg/RrfNWPxBHPI/AAAAAAAABwI/olUDiA-J26k/s200/armah008.jpg" alt="" id="BLOGGER_PHOTO_ID_5095767285465947378" border="0" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Healing&lt;/span&gt; &lt;span style="color: rgb(204, 204, 204);"&gt;is work, not gambling. It is the work of inspiration, not manipulation. If we the healers are to do the work of helping bring our whole people together again, we need to know such work is the work of a community. It cannot be done by an individual. It should not depend on people who do not understand the healing vocation….The work of healing is work for inspirers working long and steadily in a group that grows over generations, until there are inspirers, healers wherever our people are scattered, able to bring us together again.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left; font-weight: bold;"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a href="http://www.amazon.com/Healers-African-Writers-Kwei-Armah/dp/043590194X"&gt;&lt;span style="color:red;"&gt;--Ayi Kwei Armah—&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: rgb(204, 204, 204);font-size:85%;" &gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;&lt;strong&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&lt;br /&gt;&lt;br /&gt;In&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;a style="color: rgb(204, 204, 204);" href="http://www.panafricanperspective.com/ture2.htm"&gt;&lt;span class="text"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 180px; height: 210px;" src="http://bp1.blogger.com/_ZtpvTc16rYg/RrfN1_xBHQI/AAAAAAAABwQ/jshllz3bRs0/s200/sture.jpg" alt="" id="BLOGGER_PHOTO_ID_5095767830926793986" border="0" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(204, 204, 204);font-size:85%;" &gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;" &gt;&lt;strong&gt;&lt;span style="color: rgb(204, 204, 204);"&gt; the words of Sekou Toure “to us,&lt;/span&gt; &lt;span style="color: rgb(255, 0, 0);"&gt;Revolution&lt;/span&gt; &lt;span style="color: rgb(204, 204, 204);"&gt;means the collective movement initiated by a group of men or&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="font-size:85%;"&gt;&lt;span style="color: rgb(204, 204, 204);font-size:130%;" &gt;&lt;strong&gt;by a whole people, and supported by their conscious determination to change an old degrading order into a new, progressive order in view of ensuring the safeguard and development of collective and individual interests, without any discrimination whatsoever.&lt;/strong&gt; &lt;strong&gt;The People’s Revolution, to us, remains thus a collective consciousness in motion, and a collective movement guided by conscience and whose ultimate aim is the continued progress of man and the People.”&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div  style="text-align: left;font-family:arial;"&gt;&lt;p style="text-align: center;" class="MsoBodyText"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;&lt;span style="color:red;"&gt;&lt;span style="font-size:100%;"&gt;(From: &lt;a href="http://www.panafricanperspective.com/ture2.htm"&gt;&lt;span style="color:red;"&gt;&lt;span style="text-decoration: underline;"&gt;http://www.panafricanperspective.com/ture2.htm&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://wysinger.homestead.com/nubians.html"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div  style="text-align: center;font-family:arial;"&gt;&lt;div face="arial" style="text-align: center;"&gt;&lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;strong&gt;&lt;a href="http://rbg-street-scholar-multi-media-e-zine.blogspot.com/2007/10/falsification-of-afrikan-consciousness.html"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://bp0.blogger.com/_ZtpvTc16rYg/SIy8ABpmhUI/AAAAAAAADR4/ysasY82jhHQ/s400/rbg+akan.jpg" alt="" id="BLOGGER_PHOTO_ID_5227759976099251522" border="0" /&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;&lt;span style="font-weight: bold;font-family:arial;font-size:130%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;AFRICOLOGY and RBG EDUCATION:&lt;/span&gt; We are defining and representing Africology as the study of and participation in our Afrikanity and humanities Afri-essence. It is a deep layered journey into Who We Were and Who We Are down to the level of our collective ancestral unconscious ; including our language, history,&lt;/span&gt;&lt;/span&gt; &lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;&lt;span style="font-weight: bold;font-family:arial;font-size:130%;"  &gt;culture and education&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;&lt;span style="font-weight: bold;font-family:arial;font-size:130%;"  &gt;al ways, empathizing evidence of our contributions to world history and civilization and thus, our own present day probability, possibility and potentiality&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;&lt;span style="font-weight: bold;font-family:arial;font-size:130%;"  &gt;. Of course any serious education of Afrikan people is best began with a study of Kemet (Ancient Egypt) and Classic Nile Valley Civilizations...and this is precisely the course we chart. So&lt;/span&gt;&lt;/span&gt; &lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;&lt;span style="font-weight: bold;font-family:arial;font-size:130%;"  &gt;africology at RBG Street Scholars Think Tank, and within this classroom in particular, is meant to be a cultural development and socialization process anchor, transmitted in the context of what Dr. Clarke calls the "eternal now" (overstanding that there is no separation between the past, present and future-all of history is a current event, and all current events are history).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt; &lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_ZtpvTc16rYg/S-ycvm-aJEI/AAAAAAAAIdk/1zlfFyLlTe4/s1600/NUBIAN+ARCHERS.png"&gt;&lt;img style="cursor: -moz-zoom-in; width: 540px; height: 339px;" alt="http://4.bp.blogspot.com/_ZtpvTc16rYg/S-yiYh4rnxI/AAAAAAAAIds/odZQZ0SljH4/s1600/NUBIAN+ARCHERS.png" src="http://4.bp.blogspot.com/_ZtpvTc16rYg/S-yiYh4rnxI/AAAAAAAAIds/odZQZ0SljH4/s1600/NUBIAN+ARCHERS.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt; &lt;/div&gt; &lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;object height="340" width="550"&gt;&lt;param name="movie" value="http://www.youtube.com/v/6CvCjJoAy0U&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;color1=0x3a3a3a&amp;amp;color2=0x999999"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/6CvCjJoAy0U&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;color1=0x3a3a3a&amp;amp;color2=0x999999" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="340" width="550"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;&lt;span style="font-weight: bold;font-family:arial;font-size:130%;"  &gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;br /&gt;The lessons herein will reflect the cultural continuity and recurring spiritual and pedagogical themes of Afrikan peoples education and socialization across space and time; from ancient classic Nile Valley Civilizations to West Africa and throughout the diaspora, right on up to our present day experience here in the hells of north America. So the process does not put in as much as it draws out what is already pre-existing in our mind and spirit (our collective ancestral unconscious).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; color: rgb(255, 0, 0);font-family:arial;font-size:130%;"  &gt;See:&lt;/span&gt; &lt;a style="font-family: arial; font-weight: bold;" href="http://www.amazon.com/gp/reader/1930097301/ref=sib_fs_top?ie=UTF8&amp;amp;p=S00D&amp;amp;checkSum=Q14QJiIJIqxP6NZTKdDFc78kk399YzfBIfxeVNE7yH4%3D#reader-link"&gt;&lt;strong style="color: rgb(51, 204, 0);"&gt;African Origin of Biological Psychiatry&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial; font-weight: bold; color: rgb(51, 204, 0);" href="http://www.amazon.com/gp/reader/1930097301/ref=sib_fs_top?ie=UTF8&amp;amp;p=S00D&amp;amp;checkSum=Q14QJiIJIqxP6NZTKdDFc78kk399YzfBIfxeVNE7yH4%3D#reader-link"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Dr. Richard King&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;&lt;span style="font-weight: bold;font-family:arial;font-size:130%;"  &gt;&lt;span style="color: rgb(51, 204, 0);"&gt;WALK WITH ME /&lt;/span&gt; THE FOLLOWING IS A GUIDING SYNOPSIS:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;p&gt;&lt;a href="http://wysinger.homestead.com/chronology.html"&gt;&lt;img src="http://api.ning.com/files/6RkRzS*ij77ya7CZGALqCOLvWsslLrZ0CKsIb-oc7PmI9IS4Jd38SzQQCvt3rOsgDNht1bi5BCwnWqGmhbUiMJ89S5xONotd/pharaohanimation.gif" alt="" height="106" width="86" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p style="color: rgb(51, 204, 0); font-family: arial;"&gt;&lt;a rel="nofollow" href="http://wysinger.homestead.com/chronology.html"&gt;&lt;span class="size18 Helvetica18"&gt;&lt;b&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;A Chronology of Ancient Egypt and Nubia&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span&gt;&lt;span style="color: rgb(255, 204, 0);font-size:130%;" &gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;"Dr. Ben Teaches while in Kemet&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 204, 0);font-size:130%;" &gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;,&lt;/span&gt; &lt;span style="font-weight: bold;font-family:arial;" &gt;A 5 Clip Series"&lt;br /&gt;&lt;object height="405" width="550"&gt;&lt;param name="movie" value="http://www.youtube.com/p/8BFA3D12F0C0ADF2"&gt;&lt;embed wmode="opaque" src="http://www.youtube.com/p/8BFA3D12F0C0ADF2" type="application/x-shockwave-flash" allowscriptaccess="never" height="405" width="550"&gt;&lt;/embed&gt;&lt;param name="allowscriptaccess" value="never"&gt;&lt;/object&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;span&gt;&lt;br /&gt;&lt;img style="width: 193px; height: 19px;" src="http://www.thetalkingdrum.com/line.gif" class="zName" border="0" /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a rel="nofollow" class="snap_noshots" href="http://bp2.blogger.com/_ZtpvTc16rYg/SHvK7WVwU3I/AAAAAAAADNA/cKUGFS638iw/s1600-h/RBG+SSTT+Schematic+Outline+of+the+Curriculum.jpg"&gt;&lt;img style="width: 550px; height: 412px;" src="http://3.bp.blogspot.com/_ZtpvTc16rYg/SHvK7WVwU3I/AAAAAAAADNA/cKUGFS638iw/s1600/RBG%2BSSTT%2BSchematic%2BOutline%2Bof%2Bthe%2BCurriculum.jpg" alt="[RBG+SSTT+Schematic+Outline+of+the+Curriculum.jpg]" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:85%;" &gt;&lt;span style="color: rgb(255, 0, 0);font-family:arial;" &gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;Click to read the full screen view&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div  style="color: rgb(204, 204, 204); font-weight: bold;font-family:arial;"&gt;&lt;span style="color: rgb(255, 204, 0);font-size:130%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(255, 204, 0);font-size:130%;" &gt;Some questions education relevant to Afrikan peoples development should Ask and Answer:&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);font-family:arial;font-size:130%;"  &gt;&lt;span style="color: rgb(204, 204, 204); font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;FUQ (frequently unasked questioned)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;ul  style="color: rgb(204, 204, 204); font-weight: bold; text-align: center;font-family:arial;"&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;Who am I?&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;Why am I where I am?&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;Why do I think as I do?&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;Could I think differently?&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;Why am I feeling the way I feel right now?&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;What will happen if I ignore this feeling?&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;Is there another way to interpret the world / and my situation in it?&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;What part do/did I play in my situation?&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;Why do I expect my circumstances to change if I continue to do the same things the same way?&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;Is this way of living my last resort or is it Plan A?&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;Do I have a Plan B?&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size:130%;"&gt;Should my Plan B be my Plan A&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; color: rgb(255, 0, 0);font-family:arial;font-size:130%;"  &gt;See:&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;a rel="nofollow" href="http://rbg4lif.blogspot.com/2008/06/basic-principles-of-time-management.html"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Problem Solving ,Critical Thinking &amp;amp; Decision Making&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;" class="product_img_div al_c"&gt;&lt;a rel="nofollow" href="http://rbg-street-scholar-multi-media-e-zine.blogspot.com/2008/07/great-mighty-walk-dr-john-henrik-clarke.html"&gt;&lt;img alt="http://www.houseofnubian.com//imgupload/p_604225_1585216.jpg" src="http://www.houseofnubian.com//imgupload/p_604225_1585216.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;&lt;span style="font-weight: bold;font-family:arial;font-size:130%;"  &gt;In the video that follows Dr. Clarke Speaks to our Afrikanity and humanities Afri-essence,explaining &lt;a rel="nofollow" href="http://www.scribd.com/full/29244487?access_key=key-1nae9oc9eky1kvs1m7is"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Dr. Cheika Ante Diop&lt;/span&gt;&lt;/a&gt; trailblazing contributions and much more&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.zimbio.com/Black+History+Month" target="_blank"&gt;&lt;img src="http://i170.photobucket.com/albums/u250/RBGStreetScholar/afrika-anim.gif" alt="Photo Sharing and Video Hosting at Photobucket" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;object height="404" width="550"&gt;&lt;param name="movie" value="http://www.youtube.com/v/WCeSCzzzQ8E&amp;amp;fs=1"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;embed src="http://www.youtube.com/v/WCeSCzzzQ8E&amp;amp;fs=1" type="application/x-shockwave-flash" wmode="opaque" allowscriptaccess="never" height="404" width="550"&gt;&lt;/embed&gt;&lt;param name="allowscriptaccess" value="never"&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: rgb(204, 204, 204);font-family:arial;font-size:130%;"  &gt;&lt;span style="color: rgb(204, 204, 204); font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;RBG CommuniVersity addresses the above metioned FUQ (frequently unasked questioned) in a uniquely thought provoking manner, by allowing our historians, scholars, raptivists, poets, authors and revolutionaries to do the teaching, and thus serve as our objectifiers. The school is a series of scholarly revolutionary higher education multimedia environments, presented using an&lt;/span&gt; &lt;span style="color: rgb(204, 204, 204);"&gt;Interactive Edutaining Teaching Methodology&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;. The CommuniVersity's target audience is the&lt;/span&gt; &lt;a rel="nofollow" style="color: rgb(204, 204, 204);" href="http://www.amazon.com/gp/reader/0465029795/ref=sib_dp_pt/105-7769482-4990008#reader-link"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Hip Hop Generation&lt;/span&gt;&lt;/a&gt; &lt;span style="color: rgb(204, 204, 204);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;(Blacks / New Afrikans born between 1965 and 1984)&lt;/span&gt; and their children. With strict attention to developing our student’s basic education skills in the context of the highest standards of academic excellence, suitable for one to confidently sit for high stake exams &lt;span style="color: rgb(51, 204, 0);"&gt;(&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;ie. SAT/ACT and MCATs, LSATs&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;)&lt;/span&gt;, we simultaneously advance the psycho-emotional healing and spiritual upliftment of our people by providing&lt;/span&gt; &lt;span style="color: rgb(51, 204, 0);"&gt;KNOWLEDGE, WISDOM AND OVERSTANDING&lt;/span&gt; &lt;span style="color: rgb(204, 204, 204);"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;of the historo-cultural, socio-political and psycho-educational experiences of Africans in America&lt;/span&gt; in away that RADICALLY REAPPRAISES EDUCATION from the pained and angry perspective of the oppressed black community; while at the same time advancing an Afrikan centered academic process and solutions that are cognitive, psycho-motor and experiential in nature. Our approach is an integrated one as against subject-based segmentation.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; color: rgb(255, 204, 0);font-family:arial;font-size:130%;"  &gt;Including:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 204, 0);font-family:arial;font-size:130%;"  &gt;&gt; computers &amp;amp; information technology,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 204, 0);font-family:arial;font-size:130%;"  &gt;&gt; history and cultural development,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 204, 0);font-family:arial;font-size:130%;"  &gt;&gt; religion and spirituality,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 204, 0);font-family:arial;font-size:130%;"  &gt;&gt; sociology,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 204, 0);font-family:arial;font-size:130%;"  &gt;&gt; political science,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 204, 0);font-family:arial;font-size:130%;"  &gt;&gt; creative productions/ entertainment,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 204, 0);font-family:arial;font-size:130%;"  &gt;&gt; education,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 204, 0);font-family:arial;font-size:130%;"  &gt;&gt; health promotion and disease prevention&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 204, 0);font-family:arial;font-size:130%;"  &gt;&gt; economics and&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 204, 0);font-family:arial;font-size:130%;"  &gt;&gt; psychology&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="color: rgb(204, 204, 204);font-family:arial;font-size:130%;"  &gt;&lt;span style="color: rgb(204, 204, 204); font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;The method&lt;/span&gt; is to read and survey while you listen to audio from the RBG Blakademics Audio Player at the header.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="color: rgb(204, 204, 204);font-family:arial;font-size:130%;"  &gt;&lt;span style="color: rgb(204, 204, 204); font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;The player is a 100 Trax EduTainment tool that includes complete standalone lessons.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="color: rgb(204, 204, 204);font-family:arial;font-size:130%;"  &gt;&lt;span style="color: rgb(204, 204, 204); font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Video players are self contained subjects, topics and lessons. You can also scroll and read to the audio of any given video.&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;This is what I have coined the &lt;span style="color: rgb(255, 0, 0);"&gt;"RBG Learning Method"&lt;span style="color: rgb(51, 204, 0);"&gt;.&lt;/span&gt;&lt;/span&gt; It enables you to cover , absorb and assimilate large amounts of information and data in short packets of time. This is because the functionality of the various curriculua are not predicated on rote memory, rather lessons are progressively advancing integrated interactive processes--you learn by dynamic rhythm and symbolism. The interaction of the media and your interacting with it is what teaches you so intently. Therein lays the staying power of the approach. All media components&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;( image, text, video and audio ) re-enforce, support and validate each other&lt;/span&gt;. This is why we suggest that you go to full screen view to interact videos with images more completely.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="color: rgb(204, 204, 204);font-family:arial;font-size:130%;"  &gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;For example, studying RBG will teach you computer skills in real time. This is to say that in order for one to study lessons in a given classroom it requires scrolling up and down to activate and deactivate other media...this is a cognitive, psycho-motor and experiential activity / learning task.&lt;br /&gt;&lt;br /&gt;Another example would be configuring your computer with RBG tools and applications (apps) in order to make it smarter. But, the learning has to be smart enough to make the school smarter. Its like progressing to another level. The more you play with the school to make it smarter the smarter it makes you. Downloading and installing the RBG Toolbar and search engine enables the potential for the highest level of integration.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 204, 0);font-size:85%;" &gt;N.B.&lt;/span&gt; &lt;span style="color: rgb(255, 204, 0);font-size:100%;" &gt;&lt;span style="font-size:85%;"&gt;UNTIL YOU LEARN HOW TO NAVIGATE THE SCHOOL BEST FOR YOUR LEARNING, IF YOU HAPPEN TO CLICK A LINK / EXTENSION AND IT LANDS ON ANOTHER RBG ENVIRONMENT PAGE, YOU CAN ALWAYS HIT YOUR BACK BUTTON TO PREVENT YOU FROM GETTING FURTHER LOST IN THE RABBIT HOLD. ONE OF THE MANY FUNCTIONS OF OUR SNAP PREVIEW TOOL IS TO PREVENT YOU FROM GOING SOMEWHERE YOU DON'T WANT TO GO. INTERNAL LINKS DON'T SNAP.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/strong&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;div face="arial" style="text-align: center;"&gt;&lt;div face="arial" style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;span&gt;&lt;span&gt;&lt;img style="width: 193px; height: 15px;" src="http://www.thetalkingdrum.com/line.gif" class="zName" border="0" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a rel="nofollow" href="http://rbgsstt-movies-videos.blogspot.com/2008/07/afrikan-insurrection-music-and-tv.html"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 312px; height: 312px;" src="http://bp1.blogger.com/_ZtpvTc16rYg/SIzASgDp1DI/AAAAAAAADSI/gci8A5m0_TM/s400/859908604_l.jpg" alt="" id="BLOGGER_PHOTO_ID_5227764691545740338" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div  style="font-weight: bold; text-align: center;font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;The Afrikan&lt;/span&gt; &amp;amp; Traditional Afrikan American Family Worldview / Definitional System / Conceptual Framework &lt;span style="color: rgb(204, 204, 204);"&gt;vs The European&lt;/span&gt;:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 204, 0); font-weight: bold;font-family:arial;" &gt;&gt;we, ours, us--not I, me, mines&lt;/span&gt; &lt;span style="color: rgb(255, 204, 0); font-weight: bold;font-family:arial;" &gt;&gt;cooperative--not competitive&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 204, 0); font-weight: bold;font-family:arial;" &gt;&gt;groupness--not oneness&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt; &lt;span style="color: rgb(255, 204, 0); font-weight: bold;font-family:arial;" &gt;&gt;collectivism-- not individualism&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 204, 0); font-weight: bold;font-family:arial;" &gt;&gt;spiritual-not material primacy&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt; &lt;span style="color: rgb(255, 204, 0); font-weight: bold;font-family:arial;" &gt;&gt;man &amp;amp; women were a complimentary dualism--not man vs women&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 204, 0); font-weight: bold;font-family:arial;" &gt;&gt;man in harmony with nature--not man vs nature&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;&gt;peace and harmony--not violence and greed...and I can go on and on.&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;So RBG (New Afrikan) education say's&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;"I am because&lt;/span&gt; &lt;span style="color: rgb(51, 204, 0);"&gt;WE ARE&lt;/span&gt; &lt;span style="color: rgb(255, 0, 0);"&gt;and because we are therefore&lt;/span&gt; &lt;span style="color: rgb(51, 204, 0);"&gt;I AM.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;What happens to and with me happens to My Family&gt; My Community&gt; The New Afrikan Nation (Afrikans in America) &gt; To the Afrikan Race (race, we know is a European construct devised to oppress).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div  style="text-align: left; font-weight: bold;font-family:arial;"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;See:&lt;/span&gt;&lt;/span&gt; &lt;span style="font-size:100%;"&gt;&lt;a rel="nofollow" href="http://rbg-street-scholar-multi-media-e-zine.blogspot.com/2007/10/falsification-of-afrikan-consciousness.html"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Falsification of Afrikan Consciousness ( Dr. Amos Wilson) &amp;amp; Understanding Racism&lt;/span&gt;&lt;/a&gt;&lt;/span&gt; &lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;&lt;span style="color: rgb(0, 153, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;Source:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;&lt;span style="color: rgb(0, 153, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;a rel="nofollow" style="color: rgb(51, 204, 0);" href="http://www.zimbio.com/RBG+Afrikan-+Centered+Cultural+Development+and+Education?overview=open"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;RBG Afrikan Centered Cultural Development and Education Wikizine Introduction&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: center;"&gt;&lt;a rel="nofollow" href="http://wysinger.homestead.com/ptahhotep.html"&gt;&lt;span style="text-decoration: underline;"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Africology Books and Video&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div face="arial" style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;div face="arial" style="text-align: center;"&gt;&lt;div face="arial" style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;span&gt;&lt;span&gt;&lt;img style="width: 193px; height: 20px;" src="http://www.thetalkingdrum.com/line.gif" class="zName" border="0" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div  style="text-align: left;font-family:arial;"&gt;&lt;span style="color: rgb(204, 204, 204);font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&lt;span style="font-weight: bold; color: rgb(255, 0, 0);"&gt;HOW TO GET THE MOST OUT OF RBGz EDUBLOGS:&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a rel="nofollow" href="http://www.welltempered.net/adinkra/htmls/adinkra_index.htm"&gt;&lt;img style="width: 207px; height: 150px;" alt="http://www.welltempered.net/adinkra/images/akofena_lg.gif" src="http://www.welltempered.net/adinkra/images/akofena_lg.gif" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;font-family:arial;font-size:130%;"  &gt;&lt;span style="color: rgb(51, 204, 0);"&gt;AKOFENA&lt;br /&gt;&lt;/span&gt;"sword of war " &lt;span style="color: rgb(51, 204, 0);"&gt;&lt;br /&gt;symbol of courage, valor, and heroism&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;The crossed swords were a popular motif in the heraldic shields of many former Akan states. In addition to recognizing courage and valor, the swords can represent legitimate state authority.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style="color: rgb(204, 204, 204);font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(204, 204, 204); font-weight: bold;font-size:130%;" &gt;The assets herein represent a series of multimedia digital classrooms&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;a style="font-weight: bold;" href="http://rbg-street-scholar-multi-media-e-zine.blogspot.com/"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;(over 300 to date)&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;. Each blog has multiple inter-related lessons and each lesson has its own links /extensions for deeper layered study. Lessons are sectioned off by RBG dividers. We do not expect, nor do we recommend, that the serious learner attempt to cover everything in any given classroom in one session. Rather, we recommend that you study/enjoy/draw lessons at a pace that is most comfortable for you, bookmark the classroom and come back to continue where you left off at another point in time. So, the graduated learning process that characterizes the various inter-related and integrated RLOs (Reusable Learning Objects) and media assets is captured by the learner engaging the process. RBG is very intuitive and acute, so it gets smarter as the navigator advances in knowledge and skill. Lessons in classrooms of any given learning environment are related &lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 204, 0); font-weight: bold;font-size:130%;" &gt;(horizontal integration)&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;, all the classrooms of that particular learning environment are related &lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 204, 0); font-weight: bold;font-size:130%;" &gt;(vertical integration)&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;, and the various learning environments (websites / networks) are related &lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 204, 0); font-weight: bold;font-size:130%;" &gt;(concentric integration)&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;. Thus the school is not only Afrikan in its conceptualization and content, but also, and most distinguishably, in its methodology- In other words the college is behaving as "&lt;/span&gt;&lt;a style="font-weight: bold;" rel="nofollow" href="http://rbg-street-scholar-multi-media-e-zine.blogspot.com/2007/11/dr-marimba-ani-on-yurugu-and-afrikan.html"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Dr.Marimba Ani&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; teaches &lt;/span&gt;&lt;a style="font-weight: bold;" rel="nofollow" href="http://www.amazon.com/Let-Circle-Unbroken-Implications-Spirituality/dp/0932415253"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;"Let the Circle Be Unbroken".&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; The acute learner inculcates the concept of Afrikan unity by interacting with the school. In this since, RBG is not only academic but experiential as well.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center; font-weight: bold;"&gt;&lt;a rel="nofollow" href="http://www.amazon.com/Let-Circle-Unbroken-Implications-Spirituality/dp/0932415253"&gt;&lt;img style="width: 404px; height: 258px;" src="http://i170.photobucket.com/albums/u250/RBGStreetScholar/unity.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(204, 204, 204);font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Thus, one knows when they know how the communiversity works when she/he is able to get anywhere from anywhere in two clicks-across the 5,000 plus RLOs and media assets. It is at that point the communiversity becomes a supreme scholarly research and content resource tool in the learners own work. She/he is now ready to cipher off assets to create her/his own derivitive products, to do their own teaching from.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;p class="postBody" style="color: rgb(119, 119, 119);"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold; color: rgb(255, 204, 0);"&gt;To Learn More About How the CommuniVersity Works see:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="postBody" style="color: rgb(119, 119, 119);"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold; color: rgb(255, 204, 0);"&gt;&lt;a rel="nofollow" style="color: rgb(51, 204, 0);" href="http://rbgsstt.blogspot.com/2007/02/rbg-street-scholars-think-tank-rules-of.html"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;RBG Street Scholars Think Tank Rules of Engagement &amp;amp; Extensions to Our Computer Skills Basics&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="font-size:85%;"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold; color: rgb(255, 204, 0);"&gt;&lt;span style="font-size:85%;"&gt;&lt;a rel="nofollow" style="color: rgb(51, 204, 0);" href="http://rbg-street-scholar-multi-media-e-zine.blogspot.com/2008/05/rbgz-student-teacher-users-guide-basic.html"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;RBGz Student-Teacher Users Guide: A Basic Prime/ Abridged&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;h3  style="font-weight: bold;font-family:arial;" class="post-title entry-title"&gt;&lt;span style="font-size:85%;"&gt;&lt;a rel="nofollow" href="http://rbg-street-scholar-multi-media-e-zine.blogspot.com/2008/05/how-rbg-provokes-thought-discussion.html"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;How RBG Provokes Thought, Discussion &amp;amp; Learning In The Core&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/h3&gt;&lt;div  style="text-align: left;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;WHY RBG (AFRIKAN CENTERED) EDUCATION IS SO IMPORTANT:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div face="arial" style="text-align: center;"&gt;&lt;span style="font-size:100%;"&gt;&lt;a rel="nofollow" href="http://www.welltempered.net/adinkra/htmls/adinkra_index.htm"&gt;&lt;img style="width: 123px; height: 203px;" alt="http://www.welltempered.net/adinkra/images/akob_lg.gif" src="http://www.welltempered.net/adinkra/images/akob_lg.gif" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;font-size:130%;"  &gt;&lt;span style="color: rgb(51, 204, 0);"&gt;AKOBEN&lt;br /&gt;&lt;/span&gt;"war horn"&lt;br /&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;symbol of vigilance and wariness&lt;br /&gt;&lt;/span&gt;Akoben is a horn used to sound a battle cry.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(204, 204, 204);"&gt;With the present day high rates of Black on Black homicide,&lt;/span&gt;&lt;/span&gt; &lt;span style="color: rgb(204, 204, 204);font-family:arial;font-size:100%;"  &gt;suicide, and imprisonment and a rise in single-parent homes, rampant police brutality, unprecedented unemployment, and Blacks use of popular (ENEMY) culture (through music, video games and popular movies) to celebrate "anti-intellectualism, ignorance, irresponsible parenthood, drunkenness, dope dealing, weed smoking, cocaine, x-pills, loose sexual behavior and criminal lifestyles / thuggism"; we have chose to design a curriculum that, rather than getting caught up in the entertainment / BLACKPLOTATION aspects of the hip hop / rap industry, will use hip hop culture/rap within a historo-cultural, socio-political and psycho-educational framework to address these various death walks forthrightly. Our new methodological style is intended to get our young people to begin to think critically about themselves, their world and their role as people of Afrikan descent.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;a rel="nofollow" href="http://www.welltempered.net/adinkra/htmls/adinkra_index.htm"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://bp2.blogger.com/_ZtpvTc16rYg/SIsXn6YGoLI/AAAAAAAADRI/PNIxE-EeRzk/s400/mate_lg.gif" alt="" id="BLOGGER_PHOTO_ID_5227297766946283698" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;p class="postBody"  style="color: rgb(119, 119, 119); text-align: center;font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;MATE MASIE&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="postBody"  style="color: rgb(119, 119, 119); text-align: center;font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;"What I hear, I keep" &lt;span style="color: rgb(51, 204, 0);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="postBody" style="color: rgb(119, 119, 119); text-align: center;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;symbol of wisdom, knowledge and prudence&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="postBody" style="color: rgb(119, 119, 119); text-align: center;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;The implied meaning of the phrase "mate masie" is "I understand". Understanding means wisdom and knowledge, but it also represents the prudence of taking into consideration what another person has said.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center; font-family: arial;"&gt;&lt;div style="text-align: center; font-family: arial;"&gt;&lt;div style="text-align: center;"&gt;&lt;span&gt;&lt;span&gt;&lt;img style="width: 193px; height: 23px;" src="http://www.thetalkingdrum.com/line.gif" class="zName" border="0" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;&lt;span style="font-style: italic;"&gt;BE SURE TO STUDY OUT OF &lt;a href="http://www.zimbio.com/RBG+Afrikan-+Centered+Cultural+Development+and+Education"&gt;OUR PREMIERE WIKIZINE&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;p class="postBody" style="color: rgb(119, 119, 119); text-align: center;"&gt;&lt;span style=";font-family:comic sans ms,sand;font-size:130%;"  &gt;&lt;a name="top" title="top" rel="nofollow" target="_blank"&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center; font-family: arial;"&gt;&lt;div style="text-align: center; font-family: arial;"&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;span&gt;&lt;a title="View The Master Keys to the Study of Ancient Kemet-Nana Baffour Amankwatia II on Scribd" href="http://www.scribd.com/doc/31409007/The-Master-Keys-to-the-Study-of-Ancient-Kemet-Nana-Baffour-Amankwatia-II" style="margin: 12px auto 6px; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;"&gt;The Master Keys to the Study of Ancient Kemet-Nana Baffour Amankwatia II&lt;/a&gt; &lt;object id="doc_78047093899646" name="doc_78047093899646" type="application/x-shockwave-flash" data="http://d1.scribdassets.com/ScribdViewer.swf" style="outline-color: -moz-use-text-color; outline-style: none; outline-width: medium;" height="600" width="540"&gt;        &lt;param name="movie" value="http://d1.scribdassets.com/ScribdViewer.swf"&gt;        &lt;param name="wmode" value="opaque"&gt;         &lt;param name="bgcolor" value="#ffffff"&gt;         &lt;param name="allowFullScreen" value="true"&gt;         &lt;param name="allowScriptAccess" value="always"&gt;         &lt;param name="FlashVars" value="document_id=31409007&amp;amp;access_key=key-12f55teswjgqvscbfhwk&amp;amp;page=1&amp;amp;viewMode=list"&gt;         &lt;embed id="doc_78047093899646" name="doc_78047093899646" src="http://d1.scribdassets.com/ScribdViewer.swf?document_id=31409007&amp;amp;access_key=key-12f55teswjgqvscbfhwk&amp;amp;page=1&amp;amp;viewMode=list" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" wmode="opaque" bgcolor="#ffffff" height="600" width="540"&gt;&lt;/embed&gt;     &lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="450" width="540"&gt;&lt;param name="movie" value="http://www.youtube.com/p/AD5732DB1A29E045&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/p/AD5732DB1A29E045&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="450" width="540"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://rbg-street-scholar-multi-media-e-zine.blogspot.com/2008/05/rbg-gif-animations-for-your-website.html"&gt;&lt;span style="font-size:100%;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;&lt;a&gt;&lt;img id="BLOGGER_PHOTO_ID_5226805395457838178" style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" alt="" src="http://bp3.blogger.com/_ZtpvTc16rYg/SIlX0HpcDGI/AAAAAAAADPw/TLrfS5DV1vQ/s400/gye.jpg" border="0" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(255, 0, 0); font-weight: normal;font-family:arial;font-size:130%;"  &gt;&lt;strong&gt;&lt;em&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div  style="text-align: left;font-family:arial;"&gt;&lt;div  style="text-align: justify;font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&lt;span style="font-weight: bold;"&gt;All of RBGz Edu&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204); font-weight: bold;"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;Tainment / teaching-learning methodologies and&lt;/span&gt;&lt;/span&gt; &lt;span style="color: rgb(204, 204, 204); font-weight: bold;"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;content are presented in the tradition and spirit of&lt;/span&gt; &lt;a rel="nofollow" href="http://rbg-street-scholar-multi-media-e-zine.blogspot.com/2008/05/rbg-gif-animations-for-your-website.html"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Afrikan Symboli&lt;span style="color: rgb(51, 204, 0);"&gt;s&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;m&lt;/span&gt;&lt;/a&gt; &lt;span style="color: rgb(255, 204, 0);"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;(as well&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="color: rgb(204, 204, 204); font-weight: bold;"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;as our rich oral / musical traditions) as this is the way we learn, interpret and experience the world as Afrikan people--a right brain (hemisphere) function.&lt;/span&gt; This teaching/learning strategy goes to demonstrating the cultural-spiritual continuity of Afrikan people across time and space (from Kemetic to West Aafrikan to the diaspora). Thus, the learner that is a hearer is provided with the opportunity to grasp deeper meaning, and the hearer that has become a listener through mastering hearing receives meaning that is deeper still. Becoming a master hearer &gt; master listener is the pre-requisite to becoming a teacher / healer in Afrikan educational pedagogy. So we are applying a traditional philosophical precept in the context of our westernized experience to project us in a positive and unified manner, working together doing what we do best for the collective advancement of the group. It is the reason why one of our rules of engagement is "a picture (image/symbol) is worth more than a thousand words".&lt;span style="color: rgb(51, 204, 0);"&gt; &lt;/span&gt;&lt;span style="text-decoration: underline; color: rgb(51, 204, 0);"&gt;RB&lt;/span&gt;&lt;a rel="nofollow" style="color: rgb(51, 204, 0);" href="http://rbg-street-scholar-multi-media-e-zine.blogspot.com/2008/05/rbg-gif-animations-for-your-website.html"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Gz images / symbols&lt;/span&gt;&lt;/a&gt; are what make you think (Think Tank) and learn so intently, and also what makes you feel so inspired. &lt;span style="color: rgb(255, 0, 0);"&gt;So we teach the same lessons on multiple levels to strike a responsive cord with our whole family by integrating all four forms of media (image, audio, video and text) in any given lesson/topic/subject.&lt;/span&gt; This is important to do because if our young people don't see themselves in what we want them to learn then how can we blame the for not wanting to learn it! Hence the problem with us and Euro-education &lt;a rel="nofollow" href="http://rbg4lif.blogspot.com/2008/06/decolonizing-african-mind-further.html"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;(mis-education and dis-education)&lt;/span&gt;.&lt;/a&gt; Furthermore, we are also demonstrating computer skills that you will not learn at M.I.T., but are nonetheless more germane and in keeping with our way for development as a New Afrikan people.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&lt;span style="font-weight: bold; color: rgb(255, 0, 0);"&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;WE ARE AN AFRIKAN PEOPLE:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;div class="widget-content snap_noshots"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;img style="width: 163px; height: 216px;" alt="http://www.welltempered.net/adinkra/images/aya_lg.gif" src="http://www.welltempered.net/adinkra/images/aya_lg.gif" /&gt;&lt;br /&gt;&lt;span style=";font-family:arial;font-size:130%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(51, 204, 0);font-family:arial;" &gt;AYA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;"fern"&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;&lt;span style="font-family:arial;"&gt;symbol of endurance and resourcefulness&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;The fern is a hardy plant that can grow in difficult places. "An individual who wears this symbol suggests that he has endured many adversities and outlasted much difficulty." (Willis, The Adinkra Dictionary)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="widget-content snap_noshots"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;&lt;span style="color: rgb(204, 204, 204); font-weight: bold;font-family:arial;" &gt;&lt;span style=""&gt;&lt;span style="font-size:130%;"&gt;"We Are Afrikan People Wherever We Were Born No matter where we were born in the world. Afrikan (Black) People are historically and culturally linked. Our history, identity, and culture are rooted in the many thousands of years of development of Afrikan civilization on the Afrikan continent. This is a consequence of the ever forward movement and motion of the New Afrikan masses. It is from this historical march of our people (Afrikan [Black] People) that we derive our African culture, the sum total of material and spiritual values created by our people. It is this invincible weapon, Afrikan culture, that has always served to fight against all forms of oppression and exploitation, to move forward New Afrikan People and Afrikan civilization. Modified with "k for c" from Ayize Atiba. 8 March, 1995 / &lt;a rel="nofollow" style="color: rgb(51, 204, 0);" href="http://rbg-street-scholar-multi-media-e-zine.blogspot.com/2008/07/black-nationalism-and-pan-afrikanism-at.html"&gt;Link to Full Lesson&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: left; font-weight: bold;"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;AFRIKAN CENTERED EDUCATION AND RBGz EDUCATIONAL MISSION:&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center; font-family: arial;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;&lt;a rel="nofollow" href="http://www.welltempered.net/adinkra/htmls/adinkra_index.htm"&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;img style="width: 200px; height: 186px;" alt="http://www.welltempered.net/adinkra/images/anan_lg.gif" src="http://www.welltempered.net/adinkra/images/anan_lg.gif" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;span style="font-size:85%;"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;&lt;span style="font-family:georgia;"&gt;ANANSE NTONTAN&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:georgia;font-size:130%;"  &gt;"spider's web"&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(51, 204, 0); font-weight: bold;font-family:georgia;font-size:130%;"  &gt;&lt;span&gt;symbol of wisdom, creativity and the complexities of life&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;&lt;span style="font-family:georgia;"&gt;Ananse, the spider, is a well-known character in African folktales.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(204, 204, 204);font-family:arial;font-size:100%;"  &gt;African Centered Education is a system of sequentially planned educational opportunities provided for African heritage children, youth and young adults to develop the necessary and required skills to participate in the global marketplace with specific interest on the upliftment and empowerment of their African-American communities and the total development and growth of the African continent. (Dr. E. Curtis Alexander&lt;/span&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(204, 204, 204);"&gt;)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;a rel="nofollow" style="font-family: arial; font-weight: bold;" href="http://rbg-street-scholar-multi-media-e-zine.blogspot.com/2008/06/foundation-of-knowledge-is-knowing.html"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;More Definitions From Our Scholars&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(204, 204, 204);"&gt;RBG Street Scholars Think Tank's educational mission is to develop in each learner a Luv of learning by providing an Afri-Centered interactive learning environment that fosters problem solving, critical &amp;amp; creative thinking, artistic expression and positive character development (through the principles of Nguzo Saba &amp;amp; MA'AT / see below ) -- combined with a rigorous basic education skills development program that includes the language arts, math, science, and computer / information technology domains.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify; color: rgb(204, 204, 204);"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;img style="width: 193px; height: 11px;" src="http://www.thetalkingdrum.com/line.gif" class="zName" border="0" /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;p align="center"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;b&gt;&lt;strong&gt;&lt;a rel="nofollow" href="http://www.thekeep.org/%7Ekunoichi/kunoichi/themestream/maat.html"&gt;&lt;img style="border: 1px solid rgb(0, 0, 0); margin: 2px;" src="http://photos1.blogger.com/hello/14/11302/320/maat.jpg" border="0" /&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;span style="font-size:180%;"&gt;&lt;b&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;VIRTUES OF MAÁT&lt;/span&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="color: rgb(204, 204, 204);font-family:arial;" align="justify"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;b&gt;MAÁT: The symbolic representation of Maát as a human figure with outreached hands and wings, is the Netcher of the weighing of the soul in ancient Kemet. The heart of the deceased was believed to be the seat of the soul and it was where ones virtues resided. This symbolic weighing of the heart against the feather of truth (Maát) was performed to established the righteousness of the deceased. The scale of Maát was balanced after the recitation of the&lt;/b&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;a rel="nofollow" href="http://www.maatinus.com/Nguzo%20Saba/negative.htm"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;"42" Declarations of Innocence or Admonitions of Maát. pg. 91, NVCTC&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="color: rgb(204, 204, 204);font-family:arial;" align="justify"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;span style="color: rgb(51, 255, 51);"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;The Neophyte or students ultimate aim in Kemet was for a person to become "One with God" or to "become like God." The path to the development of godlike qualities was through the development of virtue, but virtue could only be achieved through special study and effort. According to George G. M. James in his timeless work Stolen Legacy writes: The following of the 10 virtues were sought by the Neophyte in ancient Kemet. In the final analysis, the ancient Kemites sought Maát or to be more correct they sought to become one with Maát, the cosmic order.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="color: rgb(204, 204, 204);font-family:arial;" align="justify"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;(1). Control of thoughts&lt;/span&gt; &lt;span style="color: rgb(204, 204, 204);"&gt;(2). Control of actions&lt;/span&gt; &lt;span style="color: rgb(204, 204, 204);"&gt;(3). Devotion of purpose&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;(4). Have faith in the ability of [your] [teacher] to teach [you] the truth.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;(5). Have faith in [yourself] to assimilate the truth&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;(6). Have faith in [themselves] to wield the truth&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;(7). Be free from resentment under the experience of persecution.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;(8). Be free from resentment under the experience of wrong.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;(9). Cultivate the ability to distinguish between right and wrong and&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;(10).Cultivate the ability to distinguish between the real and the unreal&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="text-align: left;font-family:arial;"&gt;&lt;b&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;"TRUTH IS LIKE LIGHTING WITH ITS ERRAND DONE BEFORE YOU HEAR THE THUNDER"&lt;/span&gt; &lt;a rel="nofollow" href="http://www.africawithin.com/massey/gerald_massey.htm"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Dr. Gerald Massey&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;.&lt;/span&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;b&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;Principles of MAÁT&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;b&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;Truth Justice Harmony&lt;br /&gt;Balance&lt;br /&gt;Order&lt;br /&gt;Reciprocity&lt;br /&gt;Propriety&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;a rel="nofollow" style="font-family: arial;" href="http://www.maatinus.com/Nguzo%20Saba/negative.htm" name="Admonitions"&gt;&lt;strong&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Admonitions of Maát&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="text-align: center; color: rgb(255, 0, 0);"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt; &lt;strong style="font-family: arial;"&gt;(Concepts for Living in Balance)&lt;/strong&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;strong style="font-family: arial;"&gt;&lt;/strong&gt;&lt;span style="font-family:arial;"&gt;1)I have not committed sin&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2)I have not committed robbery with violence&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;3)I have not stolen&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;4)I have not slain men and women&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;5)I have not stolen food&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;6)I have not swindled offerings&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;7)I have not stolen from God&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;8)I have not told lies&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;9)I have not carried away food&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;10)I have not cursed&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;11)I have not closed my ears to truth&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;12)I have not committed adultery&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;13)I have not made anyone cry&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;14)I have not felt sorrow without reason&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;15)I have not assaulted anyone&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;16)I am not deceitful&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;17)I have not stolen anyone's land&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;18)I have not been an eavesdropper&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;19)I have not falsely accused anyone&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;20)I have not been angry without reason&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;21)I have not seduced anyone's wife&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;22)I have not polluted myself&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;23)I have not terrorized anyone&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;24)I have not disobeyed the law&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;25)I have not been excessively angry&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;26)I have not cursed God&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;27)I have not behaved with violence&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;28)I have not caused disruption of peace&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;29)I have not acted hastily or without thought&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;30)I have not overstepped my boundaries of concern&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;31)I have not exaggerated my words when speaking&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;32)I have not worked evil&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;33)I have not used evil thoughts, words or deeds&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;34)I have not polluted the water&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;35)I have not spoken angrily or arrogantly&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;36)I have not cursed anyone in thought, word or deed&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;37)I have not placed myself on a pedestal&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;38)I have not stolen that which belongs to God&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;39)I have not stolen from or disrespected the deceased&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;40)I have not taken food from a child&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;41)I have not acted with insolence&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;42)I have not destroyed property belonging to God&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;span&gt;&lt;span&gt;&lt;img style="width: 193px; height: 21px;" src="http://www.thetalkingdrum.com/line.gif" class="zName" border="0" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;p style="text-align: center; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span style="color: rgb(255, 204, 0);font-size:130%;" &gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;NGUZO SABA: THE SEVEN PRINCIPLES&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(255, 204, 0);font-size:130%;" &gt;&lt;b&gt;&lt;strong&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;(N-GOO-ZOO-SAH-BAH)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;a rel="nofollow" href="http://www.us-organization.org/"&gt;&lt;img style="border: 1px solid rgb(0, 0, 0); margin: 2px;" src="http://photos1.blogger.com/hello/14/11302/320/karengacolor4.jpg" border="0" /&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-weight: bold;"&gt;Click to link out to US&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;div align="center"&gt;&lt;b&gt;&lt;span style="color: rgb(255, 204, 0);font-size:130%;" &gt;&lt;strong&gt;&lt;object height="350" width="425"&gt;&lt;param name="movie" value="http://youtube.com/v/c-MY8I_kwJY"&gt;&lt;embed wmode="opaque" src="http://youtube.com/v/c-MY8I_kwJY" type="application/x-shockwave-flash" allowscriptaccess="never" height="350" width="425"&gt;&lt;/embed&gt;&lt;param name="allowscriptaccess" value="never"&gt;&lt;/object&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;a rel="nofollow" href="http://www.officialkwanzaawebsite.org/symbols.shtml"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-weight: bold;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;b&gt;&lt;span style="color: rgb(255, 0, 0);font-family:arial;font-size:130%;"  &gt;&lt;br /&gt;While the Nguzo Saba are commonly linked to the yearly K&lt;/span&gt;&lt;/b&gt;&lt;a rel="nofollow" href="http://www.officialkwanzaawebsite.org/symbols.shtml"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-weight: bold;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;b&gt;&lt;span style="color: rgb(255, 0, 0);font-family:arial;font-size:130%;"  &gt;w&lt;/span&gt;&lt;/b&gt;&lt;a rel="nofollow" href="http://www.officialkwanzaawebsite.org/symbols.shtml"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-weight: bold;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;a rel="nofollow" href="http://www.officialkwanzaawebsite.org/symbols.shtml"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-weight: bold;"&gt;&lt;strong&gt;&lt;span&gt;&lt;span style="font-size:85%;"&gt;&lt;img src="http://www.officialkwanzaawebsite.org/images/candlescorn3.gif" alt="The Kwanzaa candles and harvest" align="right" border="0" height="173" hspace="6" vspace="2" width="218" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;b&gt;&lt;span style="color: rgb(255, 0, 0);font-family:arial;font-size:130%;"  &gt;a&lt;/span&gt;&lt;/b&gt;&lt;a rel="nofollow" href="http://www.officialkwanzaawebsite.org/symbols.shtml"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-weight: bold;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;b&gt;&lt;span style="color: rgb(255, 0, 0);font-family:arial;font-size:130%;"  &gt;nzaa celebration, they have year-round applicabilty and should be reviewed freq&lt;/span&gt;&lt;/b&gt;&lt;a rel="nofollow" href="http://www.officialkwanzaawebsite.org/symbols.shtml"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-weight: bold;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;b&gt;&lt;span style="color: rgb(255, 0, 0);font-family:arial;font-size:130%;"  &gt;uen&lt;/span&gt;&lt;/b&gt;&lt;a rel="nofollow" href="http://www.officialkwanzaawebsite.org/symbols.shtml"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-weight: bold;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;b&gt;&lt;span style="color: rgb(255, 0, 0);font-family:arial;font-size:130%;"  &gt;tly. In addition to the Nguzo Saba, other Kwanzaa components (such as libat&lt;/span&gt;&lt;/b&gt;&lt;a rel="nofollow" href="http://www.officialkwanzaawebsite.org/symbols.shtml"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-weight: bold;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;b&gt;&lt;span style="color: rgb(255, 0, 0);font-family:arial;font-size:130%;"  &gt;ion&lt;/span&gt;&lt;/b&gt;&lt;a rel="nofollow" href="http://www.officialkwanzaawebsite.org/symbols.shtml"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-weight: bold;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;b&gt;&lt;span style="color: rgb(255, 0, 0);font-family:arial;font-size:130%;"  &gt;s) also come into use during the year. If you want to study our Kwanzaa material, it can be accessed from&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;a rel="nofollow" style="font-family: arial;" class="l" href="http://www.officialkwanzaawebsite.org/"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;The Official Kwanzaa Web Site&lt;/span&gt;&lt;/a&gt; &lt;span style="font-family:arial;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;a rel="nofollow" href="http://www.officialkwanzaawebsite.org/symbols.shtml"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-weight: bold;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div  align="justify" style="font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;span style="color: rgb(51, 255, 51);"&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;UMOJA (00-MOE-JAH)&lt;/span&gt;&lt;br /&gt;UNITY&lt;/strong&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  align="justify" style="font-family:arial;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;b&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;The first principle is a commitment to the idea of to&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;a rel="nofollow" href="http://www.officialkwanzaawebsite.org/symbols.shtml"&gt;&lt;span&gt;&lt;span&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:100%;" &gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-weight: bold;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;b&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;getherness. This principle is a foundation; for without unity, neither the family nor the community can survive. National African-American unity begins with the family. Open discussions of family problems and their probable solutions are very important.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  align="justify" style="font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;strong&gt;&lt;span style="color: rgb(51, 255, 51);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;KUJICHAGULIA (CO-GEE-CHA-GOO-LEE-AH)&lt;/span&gt;&lt;br /&gt;SELF-DETERMINATION&lt;/span&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  align="justify" style="font-family:arial;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;b&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;The second principle is a commitment to building our lives in our own images and interests. If we, as a people, are to achieve our goals we must take the responsibility for that achievement upon ourselves, for self-determination is the essence of freedom. This day calls for a reaffirmation of our commitment to Afrikan American's struggle to build a more meaningful and fulfilling life.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  align="justify" style="font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;span style="color: rgb(51, 255, 51);"&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;UJIMA (00-GEE-MA)&lt;/span&gt;&lt;br /&gt;COLLECTIVE WORK AND RESPONSIBILITY&lt;/strong&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  align="justify" style="font-family:arial;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;b&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;The third principle encourages self-criticism and personal evaluation, as it relates to the common good of the family/community. Without collective work and struggle, progress is impossible. The family and the community must accept the reality that we are collectively responsible for our failures, as well as our victories and achievements. Discussions concerning each family member's responsibility prove helpful in defining and achieving family goals.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  align="justify" style="font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;strong&gt;&lt;span style="color: rgb(51, 255, 51);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;UJAMAA (00-JAH-MAH)&lt;/span&gt;&lt;br /&gt;COOPERATIVE ECONOMICS&lt;/span&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  align="justify" style="font-family:arial;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;b&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;Out of the fundamental concepts of "African Communal Living" comes the fourth principle of Kwanzaa. In a community or family, wealth and resources should be shared. On the national level, cooperative economics can help African-Americans take physical control of their own destinies. On this day, ideas should be shared and discussed for cooperative economic efforts to provide for needs as related to housing, education, food, day care, health, transportation and other goods and services.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  align="justify" style="font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;strong&gt;&lt;span style="color: rgb(51, 255, 51);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;NIA (NEE-AH)&lt;/span&gt;&lt;br /&gt;PURPOSE&lt;/span&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  style="color: rgb(204, 204, 204);font-family:arial;" align="justify"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;b&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;The fifth day of Kwanzaa is a day for reviewing our purpose for living. Each family member should examine his/her ability to put his/her skill or talent to use In the service of the family and community at large. Take time to reflect on your expectations from life: discuss your desires and hopes with family and friends. On this day you should try to determine if this purpose will eventually result in positive achievements for family and community.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  align="justify" style="font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;span style="color: rgb(51, 255, 51);"&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;KUUMBA (KOO-M-BAH)&lt;/span&gt;&lt;br /&gt;CREATIVITY&lt;/strong&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  align="justify" style="font-family:arial;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;b&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;The sixth principle of the Nguzo Saba relates to building and developing our creative potential. It involves both aesthetic and material creations. It is essential that creativity be encouraged in all aspects of African American culture. It is through new ideas that we achieve higher levels of living and a greater appreciation for life. Each family member should find creative things to do throughout the year that will enhance the family as a whole. On this day, poetry reading, songfests, dance exhibitions and the like, can aid in promoting the Importance of Kuumba.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  align="justify" style="font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;strong&gt;&lt;span style="color: rgb(51, 255, 51);"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;br /&gt;IMANI (E-MAH-NE)&lt;/span&gt;&lt;br /&gt;FAITH&lt;/span&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  align="justify" style="font-family:arial;"&gt;&lt;span style="color: rgb(255, 0, 0);font-size:130%;" &gt;&lt;b&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;The seventh principle is belief in ourselves as individuals and as a people. Further, it is a commitment to the development of the family and the national African-American community. African America's goal of freedom rests significantly on our belief in our own ability and right to control our own destiny. Without Imani (faith), there is no possibility of victory.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  align="justify" style="font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;Maulana Karenga, Ph.D.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  align="justify" style="font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;7 September 1965&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;p  align="justify" style="font-family:arial;"&gt;&lt;span style="color: rgb(51, 255, 51);font-size:130%;" &gt;&lt;b&gt;For further study link out to:&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="text-align: left;font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;a rel="nofollow" href="http://www.ascac.org/"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Association for the Study of Classical African Civilizations (ASCAC)&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(51, 255, 51);"&gt;,&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="text-align: left;font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;a rel="nofollow" href="http://www.ikg-info.com/ikg/index.php?option=com_content&amp;amp;task=view&amp;amp;id=5&amp;amp;Itemid=31"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;The Institute of Karmic Guidance&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="text-align: left;font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;a rel="nofollow" href="http://www.asante.net/index.html"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Asante &amp;amp; Associate&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;s&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="text-align: left;font-family:arial;"&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;(At these sites you will find additional scholarly Afrikan-centered education links)&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="justify"&gt;&lt;b&gt;&lt;a rel="nofollow" href="http://www.ancient-knowledge-breakthrough.net/index.html"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Alkebulan Reference Center Web Site&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p align="justify"&gt;&lt;b&gt;Get the Latest Black Conscious Lectures in DVD's and Audio CD's&lt;/b&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/587781114393252550-8530116793566215436?l=rbgblakademics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rbgblakademics.blogspot.com/feeds/8530116793566215436/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rbgblakademics.blogspot.com/2010/05/africology-and-rbg-education.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/587781114393252550/posts/default/8530116793566215436'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/587781114393252550/posts/default/8530116793566215436'/><link rel='alternate' type='text/html' href='http://rbgblakademics.blogspot.com/2010/05/africology-and-rbg-education.html' title='AFRICOLOGY AND RBG BLAKADEMICS: What It Izz'/><author><name>Marc Imhotep Cray, M.D. / bna RBG Street Scholar</name><uri>http://www.blogger.com/profile/15561580557575448698</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://1.bp.blogspot.com/_ZtpvTc16rYg/S2L-4mNiFZI/AAAAAAAAIQM/dVBAv3NPF88/S220/doc20001.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_ZtpvTc16rYg/SI2HPoxz9kI/AAAAAAAADTI/KRx3LeFsPko/s72-c/asante.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-587781114393252550.post-2150760561901075279</id><published>2010-05-11T14:37:00.000-07:00</published><updated>2010-05-11T14:38:12.165-07:00</updated><title type='text'>Diop, Afrocentricity and Kemetic Thought in the 21st Century</title><content type='html'>&lt;div style="text-align: center; font-weight: bold; font-family: arial;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;img style="width: 425px; height: 127px;" src="http://diopianinstitute.org/2008/ttl1.jpg" class="t_Center" border="0" /&gt;&lt;/span&gt;&lt;/div&gt; &lt;p style="text-align: justify; font-weight: bold; font-family: arial;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;Editors Note:&lt;/span&gt; Upon clicking on a panel or an individual person within a panel, you will be taken to the source document. Once you land, you may click the person or hot-linked title of their presentation for immediate streaming. For best playback results you can download the video to your hard drive. &lt;span style="color: rgb(255, 0, 0);"&gt;I have embed the Welcome streams / downloads here as to demonstrate. WMP set as your default media player is recommended, as the file type is wmv.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;table class="mceVisualAid" style="color: rgb(255, 194, 70); width: 422px; height: 252px; font-weight: bold; font-family: arial;" align="center" border="0"&gt; &lt;tbody&gt;&lt;tr&gt;&lt;td class="mceVisualAid"&gt;&lt;blockquote&gt;&lt;div align="left"&gt;&lt;p&gt;&lt;span style="font-size: 100%;"&gt;&lt;img src="http://diopianinstitute.org/2008/diop-small.jpg" align="right" border="0" height="166" width="142" /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Concept, Praxis, and Legacy:&lt;/span&gt;&lt;/span&gt; &lt;span style="color: rgb(255, 255, 255); font-size: 100%;"&gt;Cheikh Anta Diop, Molefi Kete Asante and the Afrocentric Project&lt;/span&gt;&lt;/p&gt; &lt;p style="color: rgb(255, 255, 255);"&gt;&lt;span style="font-size: 100%;"&gt;October 17 -18, 2008&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;/blockquote&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt; &lt;/table&gt; &lt;hr style="height: 3px; font-weight: bold; font-family: arial;"&gt;&lt;p style="font-weight: bold; font-family: arial;" align="center"&gt;&lt;span style="font-size: 100%;"&gt;OCTOBER 17, 2008 PANELS &amp;amp; PRESENTATIONS&lt;/span&gt;&lt;/p&gt; &lt;blockquote style="font-weight: bold; font-family: arial;"&gt;&lt;hr style="height: 3px;"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/0-welcome/index.htm" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Welcome&lt;/span&gt;&lt;/a&gt; &lt;/span&gt; &lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/0-welcome/index.htm" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/001-welcome.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/002-intro-m-k-asante.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/003-intro-pt3.jpg" border="0" height="75" width="100" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt; &lt;p style="text-align: center;"&gt;&lt;span style="font-size: 100%;"&gt;WELCOME&lt;/span&gt;&lt;/p&gt; &lt;hr style="height: 3px;"&gt;&lt;div align="center"&gt;&lt;span style="font-size: 100%;"&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;The following three assets are click and play &lt;/span&gt; &lt;a href="http://diopianinstitute.org/2008/0-welcome/001-welcome-pt1.wmv" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Ana Yenenga Asante, Diop Conference Coordinator&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://diopianinstitute.org/2008/0-welcome/001-welcome-pt1.wmv" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/0-welcome/001-welcome.jpg" border="0" height="290" width="386" /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt; &lt;hr style="height: 3px;"&gt;&lt;div align="center"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/0-welcome/002-intro-m-k-asante.wmv" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Dr. Adisa Alkebulan, Conference Convener, San Diego State University&lt;/span&gt;&lt;/a&gt; &lt;a href="http://diopianinstitute.org/2008/0-welcome/002-intro-m-k-asante.wmv" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/0-welcome/002-intro-m-k-asante.jpg" border="0" height="290" width="386" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt; &lt;hr style="height: 3px;"&gt;&lt;div align="center"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Dr. Molefi Kete Asante, Diop Conference Founder, Temple University&lt;/span&gt; &lt;span style="color: rgb(51, 204, 0);"&gt;“The Cheikh Anta Diop Phenomenon: Reflections”&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://diopianinstitute.org/2008/0-welcome/003-m-k-asante.wmv" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/0-welcome/003-intro-pt3.jpg" border="0" height="290" width="386" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt; &lt;hr style="height: 3px;"&gt;&lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/index.htm" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Return to 20th Anniversary Digital index&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/0-welcome/index.htm" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Opening Ceremony and Presentation of Program - Welcome&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/1p-open-joyceking/index.htm" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Opening Ceremony and Presentation of Program - Joyce King&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/1p1/index.htm" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Day 1: Panel 1: Implications of Cheikh Anta Diop on Pedagogy and Research&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/1p2/index.htm" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Day 1: Panel 2: Confronting Challenges to Afrocentricity&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/1p3/index.htm" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Day 1: Panel 3: Diop, Afrocentricity and Kemetic Thought in the 21st Century&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/1p4/index.htm" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Day 1: Panel 4: Afrocentric and Pan-African Affirmations&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/1p5/index.htm" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Day 1: Panel 5: Afrocentric Language and Culture&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/1p6/index.htm" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Day 1: Panel 6: Afrocentric Assessments and Perspectives&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/1-vision/index.htm" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Day 1: Vision Presentations&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/2p1/index.htm" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Day 2: Panel 1: Currents of African Scholarship&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://www.theblackcandle.com/" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Day 2: Film Screening - &lt;i&gt;The Black Candle&lt;/i&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/luncheon/index.htm" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Day 2: Luncheon Presentation: Dr. Maulana Karenga&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/special/index.htm" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Day 2: Special Presentations - Conversation about Afrocentric Education&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/2p2/index.htm" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Day 2: Panel 2: Molefi Asante’s Contributions to Africana Studies Scholarship in the Light of Contemporary Issues&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/2p3/index.htm" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Day 2: Panel 3: Ancient Africa: Records, Analysis, and Implications&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style="color: rgb(0, 204, 0);"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/closing/index.htm" target="_blank"&gt;&lt;span style="color: rgb(0, 204, 0);"&gt;Day 2: Closing Plenary Session: Asserting Agency and Contextualizing African Ideas&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;hr style="height: 3px;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/1p-open-joyceking/index.htm" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Opening Ceremony and Presentation of Program&lt;/span&gt;&lt;/a&gt; &lt;a href="http://diopianinstitute.org/2008/1p-open-joyceking/index.htm" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/01-intro-joyce-king.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/02-joyce-king.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/03-joyce-king-q&amp;amp;a.jpg" border="0" height="75" width="100" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;hr style="height: 3px;"&gt;&lt;div align="left"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/1p1/index.htm" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Panel 1: Implications of Cheikh Anta Diop on Pedagogy and Research&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://diopianinstitute.org/2008/1p1/index.htm" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/101-tyrene-w-niang_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/102-okafor_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/103-harris_0001.jpg" border="0" height="75" width="100" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt; &lt;hr style="height: 3px;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/1p2/index.htm" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Panel 2: Confronting Challenges to Afrocentricity&lt;/span&gt;&lt;/a&gt; &lt;a href="http://diopianinstitute.org/2008/1p2/index.htm" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/201-schiele_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/202-teasley_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/203-verharen_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/204-ismail_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/205-questions-answers_0001.jpg" border="0" height="75" width="100" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;hr style="height: 3px;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/1p3/index.htm" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Panel 3: Diop, Afrocentricity and Kemetic Thought in the 21st Century&lt;/span&gt;&lt;/a&gt; &lt;a href="http://diopianinstitute.org/2008/1p3/index.htm" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/301-hubbard_0001.jpg" border="0" height="75" width="100" /&gt;&lt;i&gt;&lt;img src="http://diopianinstitute.org/2008/302-gaffin_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/303-comment_0001.jpg" border="0" height="75" width="100" /&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;hr style="height: 3px;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/1p4/index.htm" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Panel 4: Afrocentric and Pan-African Affirmations&lt;/span&gt;&lt;/a&gt; &lt;a href="http://diopianinstitute.org/2008/1p4/index.htm" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/401-giddings_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/402-newman_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/403-tillotson_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/404-q&amp;amp;a_0001.jpg" border="0" height="75" width="100" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;hr style="height: 3px;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/1p5/index.htm" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Panel 5: Afrocentric Language and Culture&lt;/span&gt;&lt;/a&gt; &lt;a href="http://diopianinstitute.org/2008/1p5/index.htm" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/501-christian_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/502-alkebulan_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/503-tonkam_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/504-williams-witherspoon_0001.jpg" border="0" height="75" width="100" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;hr style="height: 3px;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/1p6/index.htm" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Panel 6: Afrocentric Assessments and Perspectives&lt;/span&gt;&lt;/a&gt; &lt;a href="http://diopianinstitute.org/2008/1p6/index.htm" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/601-ferreira_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/602-martin_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/603-oseye_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/604-q&amp;amp;a_0001.jpg" border="0" height="75" width="100" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;hr style="height: 3px;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/1-vision/index.htm" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Vision Presentations&lt;/span&gt;&lt;/a&gt; &lt;a href="http://diopianinstitute.org/2008/1-vision/index.htm" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/vision-1_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/vision-2_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/vision-3_0001.jpg" border="0" height="75" width="100" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;hr style="height: 3px;"&gt;&lt;/blockquote&gt; &lt;p style="font-weight: bold; font-family: arial;" align="center"&gt;&lt;span style="font-size: 100%;"&gt;OCTOBER 18, 2008 PANELS &amp;amp; PRESENTATIONS&lt;/span&gt;&lt;/p&gt; &lt;hr style="height: 3px; font-weight: bold; font-family: arial;"&gt;&lt;span style="font-weight: bold; font-size: 100%;"&gt;&lt;span style="font-family: arial;"&gt;&lt;a href="http://diopianinstitute.org/2008/2p1/index.htm" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Panel 1: Currents of African Scholarship&lt;/span&gt;&lt;/a&gt;&lt;/span&gt; &lt;a style="font-family: arial;" href="http://diopianinstitute.org/2008/2p1/index.htm" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/b101-hanshaw_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/b102-oyebade_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/b103-rabaka_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/b104-q&amp;amp;a_0001.jpg" border="0" height="75" width="100" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;hr style="height: 3px; font-weight: bold; font-family: arial;"&gt;&lt;span style="font-weight: bold; font-size: 100%;"&gt;&lt;span style="font-family: arial;"&gt;&lt;a href="http://www.theblackcandle.com/" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Film Screening&lt;/span&gt;&lt;/a&gt;&lt;/span&gt; &lt;a style="font-family: arial;" href="http://www.theblackcandle.com/" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/film01.jpg" border="0" height="75" width="114" /&gt;&lt;img src="http://diopianinstitute.org/2008/film02.jpg" border="0" height="75" width="57" /&gt;&lt;img src="http://diopianinstitute.org/2008/film03.jpg" border="0" height="75" width="88" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;hr style="height: 3px; font-weight: bold; font-family: arial;"&gt;&lt;span style="font-weight: bold; font-size: 100%;"&gt;&lt;span style="font-family: arial;"&gt;&lt;a href="http://diopianinstitute.org/2008/luncheon/index.htm" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Luncheon&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="font-weight: bold; font-size: 100%;"&gt;&lt;a style="color: rgb(51, 204, 0); font-family: arial;" href="http://diopianinstitute.org/2008/luncheon/index.htm" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Presentation&lt;/span&gt;&lt;/a&gt; &lt;a style="font-family: arial;" href="http://diopianinstitute.org/2008/luncheon/index.htm" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/01-lunch.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/04-lunch-part3.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/05-lunch-part4.jpg" border="0" height="75" width="100" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;hr style="height: 3px; font-weight: bold; font-family: arial;"&gt;&lt;span style="font-weight: bold; font-size: 100%;"&gt;&lt;span style="font-family: arial;"&gt;&lt;a href="http://diopianinstitute.org/2008/special/index.htm" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Special Presentations: Conversation about Afrocentric Education&lt;/span&gt;&lt;/a&gt;&lt;/span&gt; &lt;a style="font-family: arial;" href="http://diopianinstitute.org/2008/special/index.htm" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/01-special_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/02-special_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/03-special_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/04-special_0001.jpg" border="0" height="75" width="100" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;hr style="height: 3px; font-weight: bold; font-family: arial;"&gt;&lt;div style="font-weight: bold; font-family: arial;" align="left"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://diopianinstitute.org/2008/2p2/index.htm" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Panel 2: Molefi Asante’s Contributions to Africana Studies Scholarship in the Light of Contemporary Issues&lt;/span&gt;&lt;/a&gt; &lt;a href="http://diopianinstitute.org/2008/2p2/index.htm" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/b201-bratton_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/b202-hetheru_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/b203-archie_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/b204-q&amp;amp;a_0001.jpg" border="0" height="75" width="100" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt; &lt;hr style="height: 3px; font-weight: bold; font-family: arial;"&gt;&lt;span style="font-weight: bold; font-size: 100%;"&gt;&lt;span style="font-family: arial;"&gt;&lt;a href="http://diopianinstitute.org/2008/2p3/index.htm" target="_blank"&gt;&lt;span style="color: rgb(51, 204, 0);"&gt;Panel 3: Ancient Africa: Records, Analysis, and Implications&lt;/span&gt;&lt;/a&gt;&lt;/span&gt; &lt;a style="font-family: arial;" href="http://diopianinstitute.org/2008/2p3/index.htm" target="_blank"&gt;&lt;img src="http://diopianinstitute.org/2008/b301-wilson_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/b302-imhotep_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/b303-brunson_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/b304-allen_0001.jpg" border="0" height="75" width="100" /&gt;&lt;img src="http://diopianinstitute.org/2008/b305-q&amp;amp;a_0001.jpg" border="0" height="75" width="100" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;hr style="height: 3px; font-weight: bold; font-family: arial;"&gt;&lt;span style="font-weight: bold; font-family: arial; font-size: 100%;"&gt;Closing Plenary Session: Asserting Agency and Contextualizing African Ideas&lt;/span&gt;&lt;hr style="height: 3px; font-weight: bold; font-family: arial;"&gt;&lt;p style="font-weight: bold; color: rgb(255, 204, 0); font-family: arial;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;i&gt;Digitized by D. Zizwe Poe for DISA&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/587781114393252550-2150760561901075279?l=rbgblakademics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rbgblakademics.blogspot.com/feeds/2150760561901075279/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rbgblakademics.blogspot.com/2010/05/diop-afrocentricity-and-kemetic-thought.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/587781114393252550/posts/default/2150760561901075279'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/587781114393252550/posts/default/2150760561901075279'/><link rel='alternate' type='text/html' href='http://rbgblakademics.blogspot.com/2010/05/diop-afrocentricity-and-kemetic-thought.html' title='Diop, Afrocentricity and Kemetic Thought in the 21st Century'/><author><name>Marc Imhotep Cray, M.D. / bna RBG Street Scholar</name><uri>http://www.blogger.com/profile/15561580557575448698</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://1.bp.blogspot.com/_ZtpvTc16rYg/S2L-4mNiFZI/AAAAAAAAIQM/dVBAv3NPF88/S220/doc20001.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-587781114393252550.post-614003225908922419</id><published>2010-05-11T14:10:00.000-07:00</published><updated>2010-05-11T14:30:55.665-07:00</updated><title type='text'>Black Panther History 101</title><content type='html'>&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-weight: bold; color: rgb(255, 204, 0);font-size:130%;" &gt;&lt;a rel="nofollow" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img id="BLOGGER_PHOTO_ID_5222289149471672530" alt="" src="http://bp1.blogger.com/_ZtpvTc16rYg/SHlMUASiyNI/AAAAAAAADMA/MQtNdEXsNz0/s400/yhst-74742418910237_1955_8730561.jpg" style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 300px;" border="0" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;div style="text-align: center;"&gt;&lt;object height="350" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/p993fs5pR4U"&gt; &lt;param name="wmode" value="transparent"&gt; &lt;embed src="http://www.youtube.com/v/p993fs5pR4U" type="application/x-shockwave-flash" wmode="transparent" allowscriptaccess="never" height="350" width="425"&gt;&lt;/embed&gt;&lt;param name="allowscriptaccess" value="never"&gt;&lt;/object&gt;&lt;a rel="nofollow" href="http://bp0.blogger.com/_ZtpvTc16rYg/RtCG6m4wXKI/AAAAAAAAB2A/Z--LaKxCfT0/s1600-h/black+panthers+2-28-69q.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://bp0.blogger.com/_ZtpvTc16rYg/RtCG6m4wXKI/AAAAAAAAB2A/Z--LaKxCfT0/s400/black+panthers+2-28-69q.jpg" alt="" id="BLOGGER_PHOTO_ID_5102726719239904418" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;  &lt;a rel="nofollow" href="http://bp3.blogger.com/_ZtpvTc16rYg/RtCHqW4wXLI/AAAAAAAAB2I/D0Typt6ZL70/s1600-h/BlackPanthersPIC1.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://bp3.blogger.com/_ZtpvTc16rYg/RtCHqW4wXLI/AAAAAAAAB2I/D0Typt6ZL70/s400/BlackPanthersPIC1.jpg" alt="" id="BLOGGER_PHOTO_ID_5102727539578657970" border="0" /&gt;&lt;/a&gt;  &lt;div style="text-align: center;"&gt;&lt;object height="350" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/glUZHSKRX2s"&gt; &lt;param name="wmode" value="transparent"&gt; &lt;embed src="http://www.youtube.com/v/glUZHSKRX2s" type="application/x-shockwave-flash" wmode="transparent" allowscriptaccess="never" height="350" width="425"&gt;&lt;/embed&gt;&lt;param name="allowscriptaccess" value="never"&gt;&lt;/object&gt;&lt;/div&gt;  &lt;div style="text-align: center;"&gt;&lt;a rel="nofollow" href="http://bp0.blogger.com/_ZtpvTc16rYg/RtCI7m4wXMI/AAAAAAAAB2Q/YhJF0Rl-FbM/s1600-h/BlackPanthersGroup.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://bp0.blogger.com/_ZtpvTc16rYg/RtCI7m4wXMI/AAAAAAAAB2Q/YhJF0Rl-FbM/s400/BlackPanthersGroup.jpg" alt="" id="BLOGGER_PHOTO_ID_5102728935443029186" border="0" /&gt;&lt;/a&gt; &lt;/div&gt; &lt;b&gt;&lt;a rel="nofollow" href="http://www.hartford-hwp.com/archives/45a/004.html" target="_blank"&gt;&lt;span style="color:Yellow;"&gt;Extracts from:&lt;/span&gt;&lt;/a&gt;&lt;/b&gt; &lt;b&gt;&lt;a rel="nofollow" href="http://www.hartford-hwp.com/archives/45a/004.html" target="_blank"&gt;&lt;span style="color:Yellow;"&gt;&lt;u&gt;A Brief History of the Black Panther Party&lt;/u&gt;. Its Place in the Black &lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/b&gt;&lt;b&gt;&lt;a rel="nofollow" href="http://www.hartford-hwp.com/archives/45a/004.html" target="_blank"&gt;&lt;span style="color:Yellow;"&gt;&lt;img src="http://i170.photobucket.com/albums/u250/RBGStreetScholar/SundiataAcoli.jpg" alt="" border="0" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a rel="nofollow" href="http://www.hartford-hwp.com/archives/45a/004.html" target="_blank"&gt;&lt;span style="color:Yellow;"&gt;Liberation Movement&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a rel="nofollow" href="http://www.hartford-hwp.com/archives/45a/004.html" target="_blank"&gt;&lt;span style="color:Yellow;"&gt;By Sundiata Acoli,&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a rel="nofollow" href="http://www.hartford-hwp.com/archives/45a/004.html" target="_blank"&gt;&lt;span style="color:Yellow;"&gt;from the Sundiata Acoli Freedom Campaign,1995&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;&lt;span style="color:Red;"&gt;The Positive Aspects of the BPP's Contributions&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="color:Yellow;"&gt;1. Self-Defense:&lt;/span&gt; This is one of the fundamental areas in which the BPP contributed to the BLM. It's also one of the fundamental things that set the BPP apart from most previous Black organizations and which attracted members (particularly the youth), mass support, and a mass following. The concept is not only sound, it's also common sense. But it must be implemented correctly, otherwise it can prove more detrimental than beneficial. The self-defense policies of the BPP need to be analyzed in this light by present day Afrikan organizations. All history has shown that this government will bring its police and military powers to bear on any group which truly seeks to free Afikan people. Any Black "freedom" organization which ignores self-defense does so at its own peril.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="color:Yellow;"&gt;2.Revolutionary Nationalist Ideology:&lt;/span&gt; The BPP was a nationalist organization. Its main goal was the national liberation of Afrikan people in the U.S., and it restricted its membership to Blacks only. It was also revolutionary. The BPP theories and practices were based on socialist principles. It was anti-capitalist and struggled for a socialist revolution of U.S. society.&lt;/b&gt;&lt;br /&gt;&lt;b&gt;On the national level, the BPP widely disseminated socialist base programs to the Afrikan masses. Internationally, it provided Afrikans in the U.S. with a broader understanding of our relationship to the Afrikan continent, the emerging independent Afrikan nations, Third World nations, Socialist nations, and all the Liberation Movements associated with these nations. Overall the ideology provided Afrikans here with a more concrete way of looking at and analyzing the world. Heretofore much of Black analysis of the world, and the society in which We live, was based on making ourselves acceptable to White society, proving to Whites that We were human, proving to Whites that We were ready for equality, proving We were equal to Whites, disproving racist ideas held by Whites, struggling for integration or equal status with Whites, theories of "loving the enemy", "hating the enemy", "they're all devils", spookism, and other fuzzy images of how the real world worked.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="color:Yellow;"&gt;3. Mass Organizing Techniques:&lt;/span&gt; Another fundamental thing that attracted members and mass support to the BPP was its policy of "serving the people". This was a policy of going to the masses, living among them, sharing their burdens, and organizing the masses to implement their own solutions to the day to day problems that were of great concern to them.&lt;/b&gt;&lt;br /&gt;&lt;b&gt;By organizing and implementing the desires of the masses, the BPP organized community programs ranging from free breakfast for children, to free health clinics, to rent strikes resulting in tenant ownership of their buildings, to Liberation School for grade-schoolers, to free clothing drives, to campaigns for community control of schools, community control of police, and campaigns to stop drugs, crime, and police murder and brutality in the various Black colonies across America. For these reasons, and others, the influence of the BPP spread far beyond its actual membership. Not only did the BPP programs teach self-reliance, but years later the government established similar programs such as free school lunch, expanded medicare and day care facilities, and liberalized court procedures for tenant takeovers of poorly maintained housing, partly if not primarily in order to snuff out the memory of previous similar BPP programs and the principle of self-reliance&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="color:Yellow;"&gt;4. Practice of Women's Equality:&lt;/span&gt; Another positive contribution of the BPP was its advocation and practice of equality for women throughout all levels of the organization and in society itself. This occurred at a time when most Black Nationalist organizations were demanding that the woman's role be in the home and/or one step behind the Black man, and at a time when the whole country was going through a great debate on the woman's liberation issue.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="color:Yellow;"&gt;5.Propaganda Techniques:&lt;/span&gt; The BPP made significant contributions to the art of propaganda. It was very adept at spreading its message and ideas through its newspaper The Black Panther, mass rallies, speaking tours, slogans, posters, leaflets, cartoons, buttons, symbols (i.e., the clenched fist), graffiti, political trials, and even funerals. The BPP also spread its ideas through very skillful use of the establishment's t.v., radio, and print media.&lt;/b&gt;&lt;br /&gt;&lt;b&gt;One singular indication, although there are others, of the effectiveness of BPP propaganda techniques is that even today, over a decade later, a large part of the programs shown on t.v. are still "police stories" and many of the roles available to Black actors are limited to police roles. A lot of this has to do with the overall process of still trying to rehabilitate the image of the police from its devastating exposure during the Panther era, and to prevent the true role of the police in this society from being exposed again.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="color:Red;"&gt;The Negative Aspects of the BPP Contributions&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="color:Yellow;"&gt;1. Leadership Corrupted:&lt;/span&gt; COINTELPRO eventually intimidated and corrupted all three of the BPP's top leaders: Huey P. Newton, Bobby Seale and Eldridge Cleaver. Each, in their own way, caved in to the pressures and began acting in a manner that was deliberately designed to destroy the BPP, and to disillusion not only Party members but Afrikan people in America for years to come. COINTELPRO's hopes were that Afrikans in America would be so disillusioned that never again would they trust or follow any Afrikan leader or organization which advocated real solutions to Black oppression.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="color:Yellow;"&gt;2. Combined Above and Underground:&lt;/span&gt; This was the most serious structural flaw in the BPP. Party members who functioned openly in the BPP offices, or organized openly in the community, by day might very well have been the same people who carried out armed operations at night. This provided the police with a convenient excuse to make raids on any and all BPP offices, or members homes, under the pretext that they were looking for suspects, fugitives, weapons, and or explosives. It also sucked the BPP into taking the un-winnable position of making stationary defenses of BPP offices. There should have been a clear separation between the above ground Party and the underground armed apparatus. Also small military forces should never adopt, as a general tactic, the position of making stationary defenses of offices, homes, buildings, etc.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="color:Yellow;"&gt;3. Rhetoric Outstripped Capabilities:&lt;/span&gt; Although the BPP was adept at the art of propaganda and made very good use of its own and the establishment's media, still too many Panthers fell into the habit of making boisterous claims in the public media, or selling "wolf tickets" that they couldn't back up. Eventually, they weren't taken seriously anymore. The press, some of whom were police agents, often had only to stick a microphone under a Panther's nose to make him or her begin spouting rhetoric. This often played into the hands of those who were simply looking for slanderous material to air or to provide possible intelligence information to the police.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="color:Yellow;"&gt;4. Lumpen Tendencies:&lt;/span&gt; It can be safely said that the largest segment of the New York City BPP membership (and probably nationwide) were workers who held everyday jobs. Other segments of the membership were semi-proletariat, students, youths, and lumpen-proletariat. The lumpen tendencies within some members were what the establishment's media (and some party members) played-up the most. Lumpen tendencies are associated with lack of discipline, liberal use of alcohol, marijuana, and curse-words; loose sexual morals, a criminal mentality, and rash actions. These tendencies in some Party members provided the media with better opportunities than they would otherwise have had to play up this aspect, and to slander the Party, which diverted public attention from much of the positive work done by the BPP.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="color:Yellow;"&gt;5. Dogmatism:&lt;/span&gt; Early successes made some Panthers feel that they were the only possessors of absolute truths. Some became arrogant and dogmatic in their dealings with Party members, other organizations, and even the community. This turned people off.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="color:Yellow;"&gt;6. Failure to Organize Economic Foundations in Community:&lt;/span&gt; The BPP preached socialist politics. They were anti-capitalist and this skewered their concept of building economic foundations in the community. They often gave the impression that to engage in any business enterprise was to engage in capitalism and they too frequently looked with disdain upon the small-business people in the community. As a result the BPP built few businesses which generated income other than the Black Panther newspaper, or which could provide self-employment to its membership and to people in the community. The BPP failed to encourage the Black community to set up its own businesses as a means of building an independent economic foundation which could help break "outsiders" control of the Black community's economics, and move it toward economic self-reliance.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="color:Yellow;"&gt;7. TV Mentality: The 60's were times of great flux.&lt;/span&gt; A significant segment of the U.S. population engaged in mass struggle. The Black Liberation, Native American, Puerto Rican, Asian, Chicano, Anti-War, White Revolutionary, and Woman's Liberation, Movements were all occurring more or less simultaneously during this era. It appears that this sizable flux caused some Panthers to think that a seizure of state power was imminent or that a revolutionary struggle is like a quick paced TV program. That is, it comes on at 9 p.m., builds to a crescendo by 9:45, and by 9:55 -- Victory!; all in time to make the 10 O'Clock News. When it didn't happen after a few years, that is, Afrikans in the U.S. still were not free, no revolution occurred, and worse, the BPP was everywhere on the defensive, taking losses and riddled with dissension, many members became demoralized, disillusioned, and walked away or went back to old lifestyles. They were not psychologically prepared for a long struggle. In hindsight it appears that the BPP didn't do enough to root out this TV mentality in some members, but did in others, which is an aspect to ponder on.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Although the BPP made serious errors, it also gained a considerable measure of success and made several significant new contributions to the BLM. The final judgment of history may very well show that in its own way the BPP added the final ingredient to the Black Agenda necessary to attain real freedom: armed struggle; and that this was the great turning point which ultimately set the Black Liberation Movement on the final road to victory.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;N.B.-Sundiata is a Prisoner of War, a brilliant mathematician, artist and committed freedom fighter for the New Afrikan Nation. Ambushed on the New Jersey Turnpike with Assata Shakur and Zayd Malik Shakur, Sundiata has been unjustly incarcerated for 30 year.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a rel="nofollow" href="http://www.prisonactivist.org/pps+pows/sundiata-acoli/index.html" target="_blank"&gt;&lt;span style="color:Yellow;"&gt;&lt;u&gt;Click here for More&lt;/u&gt;&lt;/span&gt;&lt;/a&gt; on Our Freedom Fighter and New Afrikan POW, Sundiata Acoli&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/587781114393252550-614003225908922419?l=rbgblakademics.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rbgblakademics.blogspot.com/feeds/614003225908922419/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rbgblakademics.blogspot.com/2010/05/black-panther-history-101.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/587781114393252550/posts/default/614003225908922419'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/587781114393252550/posts/default/614003225908922419'/><link rel='alternate' type='text/html' href='http://rbgblakademics.blogspot.com/2010/05/black-panther-history-101.html' title='Black Panther History 101'/><author><name>Marc Imhotep Cray, M.D. / bna RBG Street Scholar</name><uri>http://www.blogger.com/profile/15561580557575448698</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://1.bp.blogspot.com/_ZtpvTc16rYg/S2L-4mNiFZI/AAAAAAAAIQM/dVBAv3NPF88/S220/doc20001.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_ZtpvTc16rYg/SHlMUASiyNI/AAAAAAAADMA/MQtNdEXsNz0/s72-c/yhst-74742418910237_1955_8730561.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
